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- Should students be routinely quizzed to determine if they have read the assigned text?
- What is (and should be) the role of technology in the classroom?
- Should teachers interject their own political beliefs into the classroom?
- A clash of symbols: does the teaching of ideas such as "symbols," and "theme" help or hurt a student's understanding of the text
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- Keeping to the Text

Objective: Kids will be introduced to the concept of decriptive writing by practicing a "show method" rather then a "tell method."
SCRAPBOOK TO GENERATE IDEAS FOR COLLEGE ESSAY
The students will write assessing their beliefs and then will begin to think of what symbols they use to identify themselves. Students: Write a statement of your beliefs and create visual representation of your voice, culture, family, hobbies, and interests. [A two-page handout with instructions for the students on the assignment and the web-program is attached]
I assign students an essay after they have read a short (3 page) excerpt of Chistopher Columbus's reaction to the new world. I assign this after the first week of school, because Columbus is our first reading in American Literature, and because the assignment gives me insight into the lives of the students I teach.
Students will learn how to develop multicultural and diverse characters for fictional writing though the use of prompts, research, group work, writing exercises and pictures. They will use information/knowledge gained to create a biographical sketch of a character from another country. Various portraits of people from all backgrounds and ages will be posted around the room as the student enters the class. Also posted around the room will be photos of homes and places from around the world. Desks will be arranged in groups of 3-5.
One of the biggest challenges I face is some students' lack of ability to write "formally". It can be hard to quantify problems with the "casual" or "conversational" tone of their essays. My mother, who taught for many years, gave me this helpful table that compares formal and casual writing styles. The first page identifies common problems and the second page gives several examples.
After students have read "Geraldo No Last Name" and the class has done a groups close reading/text analysis exercise over this story, they write an out-of-class essay about a personal experience in their lives. They must imitate the style of Cisneros. I provide handouts with instructions, the grading rubric, and two models (one - happy experience, one - sad).
Grade: 11 Teacher Name: Summer Brewer Subject: English
To teach my creative writing students about making linebreak choices in their poetry, we spend a day talking about the differences between end-stopped lines and lines that end in enjambment. We discuss the use of enjambment to create a faster, disjointed tone, as well as using enjambment in order to create "a line within a line" or double meaning --> this opens up a nice discussion about the difference between a line and a sentence in a poem. We also discuss how end-stopped lines can create a calmer, steadier flow. The class prior to this lesson, I have my students write a paragraph using descriptive, concrete details, sensory imagery, and similes and tell them to bring it to this next class. This will factor in shortly. I distribute a handout (see below) with a stanza from a Billy Collins poem (a nice, quiet, calm poem) and a stanza from a Rita Dove poem (a troubled, pained, violent poem), both with the linebreaks removed.
This is not entirely original but adapted from a book entitled The Poet's Pen, a great resource for Creative Writing. I usually introduce this early in the course, relying on its impact for the remainder of the semester. Students take a sheet of looseleaf paper, and divide it into three columns. As they write in each column, the remaining columns are hidden from view.
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