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Dante Lessons for the Classroom
Lessons on Dante by teachers for use in the classroom.
Something beautiful about this place
This assignment is a homage to Il Postino, our school, and those things that make our youth bearable and special. In this assignment you will create a short three minute sound recording of those things that you are most fond of and that have contributed to the best parts of your stay at our school. You should think of sounds that are both dramatic and subtle (that I believe is the key). Think of Mario and his choices (big and little waves, the church bell [with priest], the sound of the wind through the brush, the cloudless starry night over the island). He even included the bittersweet sad sound of his father's fishing nets. The completed projects may now be listened to.
This is a handout that is used to serve as an introductory - prereading excercise for Dante's Inferno. The handout has places that students are to write down bad experiences (of different sorts) that they have had in their lives - then good ones - and finally, it asks the students whom they would ask to have as a guide (if they could have anyone) to see them through these events in their lives. Then we leave our classroom and as we go downstairs to the forbidden basement - I ask them to look at each of the negative events that they wrote down. When we read the bottom - we talk about who they have as their guide. Next, we start looking at the positive events that have happened in their lives (but never say them outloud) and we return up the stairs to our room.
The original excerpt that the students read is from Themes in World Literature, but the Revised Dante Group Work is based on Pinsky's Translations (Cantos 1,3,5, and 34) though this assignment could easily be adjusted for any excerpt that covers the beginnng part of The Divine Comedy (and the viewing of the two lovers Francesca and Paolo). Among the many issues that are given to the students to consider (in an analytical - text searching way) is which is worse betrayal or sins borne out of passion (there is a picture of Monica Lewinsky and Linda Tripp)? With that in mind students are lent color copies (that also appear here as the second handout) of the lovers Francesca and Paola -
When I first saw this film I remember how well it fit in with the Summer Seminar that I was taking at NYU on the Renaissance. Then when I got back home I realized how well it fit in with everything that we did in my senior World Literature class. I use these movie questions and show the film after we have done a brief unit on Dante (see these handouts), and after we have spent a day talking about the poems of Pablo Neruda. The students do get such a big kick out of seeing these ideas brought together. There are of course references to everything that we've read - and these can easily be adapted for your own class room. There is an attached version that does not have The House on Mango Street mentioned but does have A Long, Long Time Ago referenced.
This is the second part of the Il Postino movie questioins - and I have tried to revise them to reflect what we have been studying throughout the year - but to also bring in a higher level of critical thinking as well. There is so much in this movie that reflects what we do during the year: literally - we precede the viewing of the film with Pablo Neruda - and before that Dante. But perhaps most importantly, the ideas of metaphors to explain what we find incomprehensible in our lives. Also the fact that we are surrounded by a beauty that we don't often even realize is there (think "A Christmas Memory") and all we have to do is look around us.
This assignment asks two partners to first transliterature two stanzas from Dante's Inferno, and then to take - what should sound mostly like nonsense - and turn it into poetry. Students are strongly discouraged from trying to find a translation online - as it would be hard once seen to keep that particular translation from influencing their own. [I've newly included a handout with 4 translations of a Canto to show students the differences]
For a very long time I've been trying to work a performance piece into my Senior World Literature Class. This lesson gives me that opportunity. Three of the Cantos from the Inferno (1,3,5) are divided into logical groups of about 15-20 lines. Groups of four to six students will then perform those Cantos in two parts - the first part will be a straight forward portrayal of the scene - the other part will be to take a part of their particular section and create a response to it - a song, a poem, an Illuminated Text, that will then be woven into their performance. We will have two robes - one for Dante and one for Virgil that will be passed on from group to group as they perform for continuity's sake.
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