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A clash of symbols: does the teaching of ideas such as "symbols," and "theme" help or hurt a student's understanding of the text
Submitted by scotese on Sat, 2008-09-27 10:53
From a very early age, students are taught in many English classrooms that stories, poems, and other texts contain ideas such as symbolism and theme, that can be found and explained upon a close examination of the text and the context (historical, biographical, etc.) in which it was written. Does the teaching of these ideas both in their abstract and how they are applied in a given text, contribute to a student's understanding and/or interest in any given work?
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- What is (and should be) the role of technology in the classroom?
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- A clash of symbols: does the teaching of ideas such as "symbols," and "theme" help or hurt a student's understanding of the text
- Why I became (or want to become) a teacher
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Comments
Yes!
I believe that they should definitely be taught. I've spent 5 years teaching esl and am now teaching English at a high school. I think it's important for students to be able to read and enjoy a piece of literature at face value; however, they won't often really "get" what's happening without doing a literary analysis on the story.
Symbols and Themes Rule!
It's important to show students that pieces of writing have purposes and points. Themes are essential to helping students identify central messages and further isolate those messages in future readings. Symbols provide a common connection with the culture and language. They allow students to see how these common objects or ideas broaden their understanding and interpretations of the text.
Symbols are important to a student's understanding
I assign Lord of the Flies as a summer reading text to all of my incoming 10th graders. They do basic character analysis while reading and I reserve the discussion of symbolism and theme for my in-class lessons. I truly believe students benefit from a discussion and analysis of symbols and themes; however, educators should be careful in helping students to understand that not everything is a symbol or a theme. I find students have difficulty in understanding and grasping the development of a symbol or theme throughout a text and my role as educator is to help them uncover these hidden meanings as we go back through chapters and discuss and analyze. When students are taught to read critically and to devise thoughts on the development of symbolism and theme and their role in a written work, it increases their interest (most of the time) and allows them to open up to viewing the world in a new light.
Mary R. Allen
New Perspective
I think that if you appreciate symbols, then you should share that with your students. All teachers have different lenses they view texts through. Share that with students. Some of them will be fascinated by it, and others will find it boring.
It is your teaching style really.
Tommy Buteau
What else to focus on?
If you DON'T focus on symbols, what other aspects do you really focus on? When I taught A Thousand Splendid Suns we really focused on the journey of the character and several themes in the book; we didn't focus on symbols at all, because I don't really think there were many to focus on. When a book is full of symbols, how can you ignore them? Or what else do you focus on?
a book full of symbols
It is also possible that the book isn't really full of symbols and that this is just something that you are seeing - and in that case why do you want to have your students see something that doesn't really exist?
Yes & No
Symbols allow students to access and interpret a text from a new perspective. Students especially love analyzing symbols when they are rereading a text. It allows them to see the text through a new lens. I enjoy teaching selections of Harry Potter because we can look at the symbols and themes embedded in the text, and the students often go "I never thought of it like that!"
but why?
But why think of it like that? I guess that's the part that I don't get. I would rather read Harry Potter and enjoy what is happening or look at the beautiful words that Rowling chose to populate her story - but I understand that this is just me.
Reluctant readers
I understand what you are stating here and I would like to add some fodder to this conversation. In my language arts classroom I have students from a variety of reading comprehension levels and interests. For some, the challenge is in looking very deeply into the text and gaining insight from theme, symbols, tone, mood, etc. For other students, however, simply getting through the text is challenge enough. For others the line of challenge falls somewhere in between. In addition, I am expected by the state/federal departments of education and my district to cover particular objectives and standards and those items usually indicate a student's ability to find, use and understand elements of fiction, such as theme, symbolism, tone, etc.
In my opinion, I believe that the challenge is to take each of our student's and help them move to the next level of comprehension while also encouraging them to discover or maintain an interest in literature. What that means for me? I introduce or reinforce the skills necessary to read and comprehend successfully, and then I introduce or reinforce deeper levels of investigation into a text. I offer the materials and try to get most of my students to that level but there are some who may not be ready for that quite yet but they finished the book. This is why I think all teachers should receive superhuman capes as gifts when they enter the profession!!!
Interesting point; do you
Interesting point; do you think books like Harry Potter (i know you were just referring to the example given) should be read in English? That is, if we were to de-value symbols, themes, etc. would that affect our standard "canon"? And is that a good thing?
These are questions I've thought of myself.
symbols and pop culture
I think books like The Harry Potter series ought to be used in conjunction with the classics. As a matter of fact, I think the students ought to have a grasp of archetypes and symbols. In the beginning of the year,following a lecture on archetypes and leitmotifs, I have a composition assignment that asks the students to select a full length film and apply the archetypes, super symbols, and leitmotifs of the Occidental world. They enjoy this exercise, and I have read some highly engaging compositions. After this assignment, the students are actually able to identify and explain the meanings of symbols in the literature they read without my having to lecture.
But why?
I'm glad this is useful for your class - but I have to ask - "why?" I don't know the meaning of symbols and I've been reading and teaching for a long time. Does knowing symbols give students a better understanding of the text? Does it help them recognize what makes a piece of literature great? Harry Potter has symbols - but doesn't He-Man and SheRa also have them too? Is one symbol greater than another. I'm not trying to be obtuse when I say I really don't know what the point of teaching symbolism is.
Opinion
I think they are helpful, to an extent. Mind you, I speak from the point of view of a student, but I feel like comprehending symbolism & theme not only allow students to understand the meat of the story, but also make connections between various works of literature.
My personal problem with these ideas, and most figurative language techniques in general, is when teachers overemphasize them to the point where the story in question becomes more about "where's the anaphora" than "what did the author want to say". There's a fine line between using symbolism & theme as a tool to understand the whole and turning a work of literature into a string of literary devices.
Very Helpful
I am a student, so I'm speaking from experience. Themes and symbols are essential to understand some texts. Edgar Allan Poe, for example. Some of his works are so eccentric that you need to understadn theme and symbols in order to understand what he's trying to say. Another prime example is Lord of the Flies. You won't understand the point of the book if you don't know themes and symbols.
Although it may take a while to fully understand, themes and symbols do help you understand text.
-blackestblack88
Help
Teaching symbols and themes contribute to the story and help the students more. When I first teach a text.. i am teaching for basic understanding. Are the simply understanding what is going on in the story. Then I will dig deeper for Literary elements and more.
Agree but...
Although I agree that it aids in deeper understanding there is a point at which a teacher should be cautious. In the state of Maryland where I live, the district has compartmentalized each category of literature based on a state test, for instance theme, tone, irony,etc.. I believe they are all critical but I find it frustrating that there is an expectation that when you read a text you are teaching solely one thing. I have watched students' interest in reading fade because we are not spending as much time talking about the whole text.
I don't even miss them!
I have belonged to this board for over a year now. When I first stumbled onto this discussion, I couldn't even fathom NOT teaching symbols! Then, I was asked to teach an inclusion class (literature class). I decided to give it a try and not teach symbols. The first book we read that year was Gatsby. I mean, how can you teach Gatsby without symbols!? I did it, and I loved it. I don't miss the strange conversations we used to have about what things could mean or the exasperated sighs when my students "didn't get it." I'm currently teaching August Wilson's, Fences and I'm not talking about the fence as a symbol. Instead I'm talking about what is, an object Rose wants built in order to keep her family safe and an object that Troy puts off building until he realizes he wants to build it in order to keep danger out. If you currently teach symbols and cannot imagine a literature class without them, I say try it. You may be surprised.
Yes, I think teaching Gatsby
Yes, I think teaching Gatsby without talking about Symbols could be fantastic; just stick to the language and that's more than enough.
Students who make claims of "symbolism" usually do so because they heard it elsewhere; students say Eckleburg represents God because they read it on SParknotes, not because they thought of it themselves, for example. Whereas with a focus on the text specifically, students are more prone to make their own observations, though that is still challenging in the world of SparkNotes as well.
Am I getting hoodwinked?
I am currently teaching Gatsby, and while I do agree that overemphasizing all those devices which the state and standardized tests force us to teach our kids are not absolutely necessary in excess, I think teaching symbolism in moderation is a good thing. Certain books, To Kill a Mockingbird for instance, I feel require the symbol discussion; otherwise, why would Harper Lee have chosen that for her title? Here is how I am attacking symbolism in Gatsby. It may not be right, but I haven't really seen any discouraged faces as of yet. I give them a list of those items which could potentially be symbolic. We discuss the times it appears in the novel as well as what we already know about the object. They decide if they believe it is a symbol or not. My biggest goal for them is to be able to prove why they believe the eyes of Dr. T.J. Eckleburg are symbolic of (whatever they decide). If they choose something which is common, I sort of play devil's advocate to see if that's what they really believe or if they got the information from SparkNotes or Shmoop. I don't want to remove this idea from my curriculum completely because I want them to be able to think metaphorically. I believe that is a crucial step toward more critical thinking and stronger readers--which essentially every teacher should know is somewhat lacking in today's "I will let the internet do the thinking for me" society. When they watch a commerical on television, they will be able to recognize the bigger picture and wonder...Am I getting hoodwinked? All of this may seem crazy, but I don't think it's whether or not they can recognize symbolism as much as it is the brainpower and skill it takes to accomplish that goal which easily transitions and builds on other critical thinking skills.
I concure
I think if we don't introduce the idea of symbols with examples some students would never be aware that they are there while others would pick up on them and still others would be vaguely aware that something was happening that they couldn't quite pin down. I feel we must introduce symbols and give examples to our students, but I also try to avoid trying to get too caught up in the symbolic meaning within a text. I want them to get that some things have meaning beyond face value but not all things necessary have a deeper meaning. Sometimes a raincoat is just a raincoat.
an option of none of the above
Are they allowed to say that they believe it is symbolic of nothing - and then to try and say why they believe that is so? I really don't believe symbolism is important in any text - but that doesn't mean it isn't - it is my own belief as a teacher and as a reader. I would never say all teachers have to think this way - it's just there are many more things that I would rather talk about in a text than symbolism.
Hurray!
So glad you came over to the other side - just be ready to get a lot of weird looks and derisive comments from your fellow teachers.
Layers . . .
I teach them, but I don't emphasize them as the only reason to read the text. For example, I'm preparing to teach Cold Mountain to my juniors. I told them that there is some beautiful symbolism in the text but that it's just one layer. I advised them to, first, read for the story; then, if they became interested in something that reappeared, to start paying attention to what it might mean.
Stephen King, by the way, in his book On Writing, gives an interesting perspective on author purpose regarding themes and symbols: he says that he focuses on character first. Plot follows. When he reads through his first draft, he looks for details that reappear and for main ideas, and then as he revises, he writes to highlight those details. His approach is one I try to emulate with my students in discussion: theme and symbols are a nice layer of the story. While they shouldn't be the focus, they can add to enjoyment and understanding.
Jen
give and take away
Does King ever mention things like symbols? I just don't believe they are relevant or important. One person can see a different symbol than the next person. Someone could teach that something was a symbol - and then it's later found out that the thing you are teaching was a symbol wasn't even known to the author. I just don't know what the point is. On the other hand, I know this belief is not held my many - and I think that's fine too. The more perspective we have the better - I would just rather talk about what is actually there in the text.
I see your point. Discussing
I see your point. Discussing abstract "symbols" can lead to fruitless discussions. I teach GT students who can pontificate about "symbols" for hours without coming back to the text. (In other words, they dont have to read to sound smartt.)
I guess I'd say I think symbols and themes are overrated. To me, I want students to learn to grapple with the text specifically more than anything else. Themes are a great way to reduce a classic into a trite, digestible moral.
What King Says
I'm at school today, so I can give you some King word for word (keep in mind that his audience is potential writers):
Two examples of the sort of work second drafts were made for are symbolism and theme. If in school you ever studied the symbolism of the color white in Moby-Dick or Hawthorne's symbolic use of the forest in such stories as "Young Goodman Brown" and came away from those classes feeling like a stupidnik, you may even now be backing off with your hands raised protectively in front of you, shaking your head and saying gee, no thanks, I gave at the office.
But wait. Symbolism doesn't have to be difficult and relentless brainy. [Here he has a lengthy discussion of how he noticed the symbolism of blood in Carrie and revised his draft to emphasize it.] It is [the] ability to summarize and encapsulate that makes symbolism so interesting, useful, and--when used well--arresting. You could argue that it's really just another kind of figurative language.
Does that make it necessary to the success of your story or novel? Indeed not, and it can actually hurt, especially if you get carried away. Symbolism exists to adorn and enrich, not to create a sense of artificial profundity. None of the bells and whistles are about story, all right? Only story is about story.
Symbolism (and the other adornments, too) does serve a useful purpose, though--it's more than just chrome on the grille. It can serve as a focusing device for both you and your reader, helping to create a more unified and pleasing work. (King, On Writing 197-200)
Sorry for the long quotation, but I think King's approach hits the right note for teaching symbolism to students: it can be useful. Is it necessary to belabor it? No, of course not. But if you start noticing a pattern, it's worth continuing to keep an eye out for it in case there's a message there or a hint to how to best put the puzzle of the book together. It's another piece, but it's not the only (or the most important) piece! (I'm pretty sure I'm mixing my metaphors, but hopefully that makes sense.)
With all of that said, I don't think that noticing symbolism is necessary for reading a text well, but it's something fun, something additional. Finding a great symbol can reward a close reading.
Jen
terminology
"But if you start noticing a pattern, it's worth continuing to keep an eye out for it in case there's a message there ..."
I do wonder if different teachers use the word "symbol" to mean different things. When my classes read a text, we discuss patterns and connections, but I don't see these as symbols. (In my own schooling, a symbol was "something" that stood for "something else.")
King and symbols
"Adorn and enrich" I think that is it in a nutshell. I can certainly read a novel without analyzing symbols.(Theme is something else. ) When I think about symbols or read someone's interpretation of them, then I do feel that I have lifted another layer of the work and peeked beneath the surface. Theme is important to me when I read a work. When I read The Help, I came away thinking about injustice, the 60's, and finding one's place in the world. If there is nothing there for me to think about, then the work is fluff, which I do enjoy also.
word and fluff
Can't the words be more than fluff even without theme. I too enjoy thinking about theme when I read something - but I think I create that "theme" not necessarily the work - and each reader will take something different out of the text. Words, on the other hand, do not change and can be discussed no matter what your "lens" or approach is.
Understanding the story more
Could you explain how theme and symbolism help a student understand a story more? To me, they alienate students from the story - rather than giving them a deeper understanding. They make, in my opinion, students feel that there is a "special knowledge" they must have (other than an understanding of the words involved) in order to have a complete understanding of a text.
Themes and Symbols Hurt
Personally, I think that learning about symbols and talking about the theme of the story is relevant... but its limiting because these alwasy seem to lead into a conversation of positive or negative connotation, more like reviewing it. Also, they have become cliched in a sense that you can only think of so many, again, such as good vs evil. If you focus out of this concept, you get to see other bits that are more meaningful and give both sides of the story. Just by reading Beowulf, an easy way out to summarize the story is saying its a battle between good an evil, but if look a bit closer (in Grendel, in Grendels point of view) its not so much a set good versus bad thing because Grendel has his own necessities, which aren't evil, just natural to him.
An uneasy dichotomy
When I talk with students about literature, I believe I help them because I reinforce that literature is, after all, a creation. Jane Eyre isn't real nor is Beowulf or a Macbeth; they are constructs, and terms like symbol or theme can help us understand the work, the artist, and the nature of literature. On the other hand, after a heavy week of Plath analysis, students return to class telling me they no longer enjoy even movies because they keep trying to analyze rather than be entertained. Perhaps they just haven't learned the balance yet between knowing and appreciating. To either hurt or help strikes me as an unfair dichotomy because literature and our response to it are more complex than that.
Analyzing films
I find myself doing this as well--but I enjoy it. Do you believe that having a conversation with students about the literary elements they find in films allows them to feel assured that they are becoming critical thinkers? Even though my students sometimes say that investigating these elements can be distracting when watching a film, I find that encouragement and being impressed at what they are able to find on their own is often enough to make them realize that this ability isn't a curse.
Fine Line to allow discovery and lead them to it
I have just finished grading a set of papers which allows my students to create their own theme, and I was cringing throught the papers as saw interesting creativity of their interpretation of "theme". I also ran across a few profound story ideas with inspirational themes.
On my personal teaching soapbox, I believe students should be in a discovery oriented setting as much as possible, I use picture books to nudge the themes from students. Initially after introducting a basic definition of what it is, I will allow the students to read a picture book, write the lesson or message of the story on a post-it. Then, they gather in groups to campare and dicuss. I ask them to justify and explain why they think their choice qualifies for a theme.
This does take at least 30 minutes for this lesson but is adaptable to grammar, literary elements, symbolism, and etc. (My collection of picture books are very well-loved and dog-eared)
My favorite for teaching theme is "Mrs. Rubensteins' Beauty".
http://www.amazon.com/Ms-Rubinsteins-Beauty-Pep-Montserrat/dp/1402730632
Symbols and Themes
Symbols and Themes are a must!!! Otherwise what is the point! You have to get deeper into the text, then just what the text is saying. Plus makes for a much more interesting class!
never thought of questioning it
Well, besides the fact that I'd probably lose my job if I didn't teach that way, because that's what is expected, I never thought of questioning whether or not this was a good idea.
I personally think it's very important. Students must learn to not just look at the whole of something, but the how and why. This is a skill that is useful beyond the study of literature, and that is something I often strive for (for what I teach to be applicable for the student in the future, whether they go on to be an English teach or novelist, or a mechanic). But, we have to take time to talk about the story itself, too, and I for one probably don't spend as much time on that as I should.
reserving judgment
I think it's horrible that you'd lose your job for not teaching it. But I think the bigger point, rather than just not teaching it, has to do with not spending time on it when there is an actual text to consider. The other thing is to remember that there is room for all kinds of teaching - including those styles that do not concentrate on what we may think is imp;ortant in teaching - and that all teachers, including those that do not believe in spending time on teaching symbolism, want to stretch their students.
symbolism and theme
I think it's a sliding scale.
Children should start with the story, the chronology, prediction, basic reading skills like that. But as they grow up, discussing theme and then symbolism stretches their minds, their critical thinking skills. Done too early, it stifles interest in the story itself. Done at the right developmental moment, it increases the enjoyment of literature and an appreciation of the greater world around them.
interesting
I think the question is an interesting one. As much as some would like to say "yes," I just don't see the point in NOT teaching it. Of course, I want my students to enjoy reading and not overanalyze a book to death. But they're in lit class for a reason. Why are we there if not to help them work symbols, motifs, etc., out?
I wonder...
Like you, I hadn't considered this question a great deal before. I wonder, however, if teaching symbols and getting further into a given text by focusing on the author's intent (after all, they were the ones to include those symbols and suggest those deeper meanings) is really as beneficial or engaging for students as applying the conflicts that arise or the lessons characters learn to situations in their own lives. I think kids are much more likely to truly care about a story (and then learn from it) if they can see its relevance to "their world" and develop critical thinking related to it in that direction.
A third choice
I think that the relevance to their own world part is, in my own experience, not as important as just showing them what is actually taking place in the text. Though I must admit I do a lot of the relating to their own world activities too. But I think I do that as a hook to get them to closely examine the text itself. The "danger" is in my mind - that such a hook can then take on a life of its own and become even bigger than what is initially (the text) being examined.
classic lit vs. young adult literature
If students are studying classic literature, YES. In a study of young adult literature, maybe not.
In my opinion, a close examination of a text should reveal complexity -- or the text is not worth examining.
I think teaching theme opens
I think teaching theme opens up literature to all students. Some students are already aware that certain ideas run throughout a story. Students who have a sense of the abstract (whether via art or music or sometimes even sports) seem to be able to relate to the idea of theme. For more reluctant learners I provide a list of possible themes and ask the students to rate them on a scale of whether it "applies" or "does not apply" to the text. Then, whether they think it applies or not, I ask them to give me some sort of evidence to show what they mean. When I introduce theme I have all students, even my Pre-AP 9th Graders, begin with it in small groups. Then, once they have a bit of a grasp they are moved into pairs and then work independently. We start with theme in stories we read as a class and end up applying it to their independent reading.
Gauging interest in the topic
I work in an alternative high school with kids ranging from 8th grade up to the super-super-seniors just trying to graduate before they max out in age so I never know how deep I should go on abstract topics. What I have always done with topics like symbols in stories is to define and expose them to what they are and how they are used, give them some examples of what other people have seen in the stories, and then ask them what, if anything, they see in the text. From this discussion I kind of gauge how deep to go with abstract topics based on their interest. Some kids flat out don’t like taking apart and analyzing stories and I do not want to destroy (especially when a majority of them never read) their enjoyment of the story.
...the terms, oh the terms!
I definitely think theme should be taught. It seems to come fairly easy to them, as well. Things like similes, conceits, etc.---I feel that they should be taught, but students have to understand that writers use those things to create meaning. Otherwise, if I ask a student to find a simile, that's where it ends, and that's when I think learning lit terms is useless.
Theme is not a problem
I don't have a problem with theme - though I do think it is pretty subjective - sometimes that subjectivity is in itself interesting.
Student Thoughts
I teach symbolism as a tool for students to use in order to discuss their ideas about a text. If a student wants to tell me how House on Mango Street shows the injustice of women by using the house as a symbol for prison, then why not? That student has found a symbol which supports a deeper concept within the text that he or she feels is justified.
I tell students that literature is literature until we read it and find what it may mean. Unless we are willing to look deeper and find something more, a book will never be good for anything more than propping up a table. Without readers and a reader's experience, books are just bound paper. So why not give them tools to use? In literature, there is never just one right answer.
But sometimes there is one
But sometimes there is one answer. I am particularly responding to the idea of inexperienced readers who attempt reader response with all that they read. Their lack of experience with close reading and their lack of cultural literacy hinder their abilities to understand symbols or even other literary elements effectively. A teacher does have a responsibility to guide judicially so as to not squash the enthusiasm of the independent thinking but also to carefully guide the interpretation so that a student factors in many parts to come to a conclusion.
symbols
Students need to understand symbols as they operate in both literature and in daily life. Advertising is full of symbolic allusion. A lollipop in a Wayne song is not simply a lollipop, jeans are never simply jeans, and high heels in AHOMS are not simply shoes. I think that as long as a symbol can be supported in the text (or by the visual text) then it is relevant to understanding. Indeed, as time changes symbols also change and thus add an extra layer of dimensionality to a text.
the problem with symbols
To me, one of the problems with symbols is that they also change according to who is doing the looking. Jeans may just be jeans to someone - they may mean the oppression of those who make them is sweat shops to someone else. So while it may be fun to see what each person, each culture sees through their lens - I would rather discuss what is happening in the text - what the words mean - how they relate to other parts of the text - and how the individual words and word parts relate to each other.