- Home
- My Profile
- Illum Texts
- Antext
- Literature
- British Lit
- Shakespeare
- American Lit
- World Lit
- Classical Lit (Greek, Roman, Myths)
- Literary Criticism
- Writing Lessons
- Movie Lessons
- Lessons
- Forums
- Audio
- Groups
- Quotes
- Alumni
A note from Joe Scotese and Lisa Danforth
|
*** Audio on AwayToTeach *** Did you know that there are hundreds of recordings of actual class instruction time on the site? While downloadable lessons and handouts are incredibly helpful, there is so much value in hearing the interaction, rapport and pacing that takes place in a well-conducted and engaging lesson. You will notice audio recordings here on the front page from time to time, but you can also access many more via the "Audio" menu tab at the top of the page. |
This handout is the result of 19 years of looking at note cards. I used to have two check-ins for notecards (40 and 40) - with fewer days we now have one check-in, and this handout is the result of my interactions with students. There is a lot of information here - much of it going over earlier handouts, but the most important part tries to get students to see how a good research paper is organic - the outline is based on the notecards - the sources should change
While reading The History of Love, by Nicole Krauss, I couldn't help but be stunned by the many connections in the story. My favorite one was of "Words for Everything". When Leo and Alma were younger, Alma wrote a letter to Leo stating that there aren't words to describe everything. I found it immensely bittersweet that Leo had written a book to "tell" the late Alma that there are words for everything. In this illuminated text, I choose parts from Leo's Words for Everything, and connected it with his struggle to pick out the title for his 301-paged book.
This Illuminated Text by Debra Chin and Elizabeth Mucha pushes the limits of what can be done using Power Point. With a constant backdrop of the poplars (that play such an important part in the imagery of the novel), sad violin music plays as Paul's journey
In this presentation I've taken the excerpt where Paul describes the beautiful scenery around the front. I went from there to juxtapose the butterflies in the novel with him. My goal was to portray Paul as the butterfly, and show that he too was "trapped inside the glass" like the butterflies he had once collected. [I am not embarassed to admit that this Illuminated Text moved me to tears by the end of it - and it wasn't for overwraught sentiment, but rather a deep understanding and empathy for Paul Baumer that this presentation does such a wonderful job of bringing out. The butterfly on the mirror - that goes behind glass - that becomes the reflection of Paul. The ideas, and the expression of those ideas are profound and masterful. JRS]
This Illuminated Text by Kevin Harris and Chris James shows how to balance a presentation. By not using images, the students were able to use music that had lyrics, thereby balancing the distractions from the actual text. They do a great job of sticking to one theme as well -- what happens to the men when they reach the front and how they become less than human. There is a kind of "meta" lesson here as well
The most recent comments