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- Should students be routinely quizzed to determine if they have read the assigned text?
- What is (and should be) the role of technology in the classroom?
- Should teachers interject their own political beliefs into the classroom?
- A clash of symbols: does the teaching of ideas such as "symbols," and "theme" help or hurt a student's understanding of the text
- Why I became (or want to become) a teacher
- Should teachers friend their current students on Facebook?
- Is there a way to decrease the amount of cheating in our classrooms?
- Rudeness in Class
- Should English Teachers spend time talking about what an author meant?
- Keeping to the Text
The poem along with a picture of a compass. This poem and its in class discussion usually gets one of the biggest "ah ha" moments from students. Especially when I show the over-sized chalk board compass and create a circle on the blackboard -- illustrating the last lines of the poem. As of late, the past few years, I have actually been leaving the picture of the compass off of the handout - as I like them to be as surprised at the end. I have also gone over the poem that past two years without them having read it the night before - which also leads to a different discussion. There is an audio of the class discussion available on the website.
"Who so List to Hunt" and "Alas all things now do hold their peace." These two Elizabethan poems are a great starting off point for discussing poetry. I use this handout to make a transparency for the overhead (you could use a digital projector just as well) and uncover one line at a time as we discuss the meaning (based only on the text that we have seen up to that point). [Note: There is now a Power Point version of these poems - that allows the presenter to uncover important lines by clicking the mouse button.] There is also an audio recording of this class.
A handout with movie questions that are to be answered after and while watching the excellent animated version (I only show Part 2 & 3) of The Canterbury Tales (it was shown on HBO, and is available on Video (here in the U.S.) and DVD [only from the U.K.]). I have revised the worksheet this year to include animations from part 3 as well. There is also an attachment for revised questions that also reference John Gardner's Grendel.
In this extra credit (how I use it) assignment, student use a picture of all the pilgrims done by William Blake along with their copies of the prologue to identify in the picture, who is who.
This handout can also be started as a group work in school -- it lists attributes (physical, job, irony present) for each of the major characters in Chaucer's Prologue to The Canterbury Tales. It is useful for both studying the characters as well as laying the ground work for Group Work #2 on the Prologue. I do not make a big deal of having students copy what they are finding -- they will use the charts to study from and they will be working with partners in class. I have been known to initial what they finish in class though -- by the time the bell rings, I do want them to work on the rest of it on their own. If they didn't need to study from them, I would probably collect them at the end of the period.
A coooperative in-class assignment that has students start by comparing what they came up with for their Prologue Charts. From there, they try to figure out who the pilgrims are and why they are all going to this place, and what differentiates them. There is also one question relating the Prologue to Grendel and a question that briefly goes over Chaucer's deathbed retraction. When I am writing these group works I often wonder how universal they are to other classes because I try to relate and make connections from one work to the other. That is the main reason that I make them available in Microsoft Word Format -- so they may be modified by other teachers.
This play uses a brief excerpt (4 pages) from the end of John Gardner's book (yes, the Gardner who wrote Grendel) on Chaucer. Specifically, I give them the last few pages about Chaucer's retraction and the subsequent death of Chaucer. Then the students are asked to create a brief play about these last few moments -- including his retraction (or lack thereof), characters from his book visiting his deathbed, etc.
Though this work is Italian, I usually teach it directly after we study The Canterbury Tales, as Chaucer was influenced so heavily by The Decameron. This is a cooperative exercise designed to be completed by 3-4 students in one class period. The assignment has the students do a close reading of the story while answering fairly directed questions that lead to bigger and bigger (I hope) moments of critical thinking. It also looks at the idea of what happens to Frederigo and his love, and how that theme of not knowing what you want till it's gone (yes, the song by Joanie Mitchell is part of the group work and I play it while the students are working) is repeated throughout literature (as in "The Gift of the Magi).
This group work begins with each student being assigned both a letter and a number (ie 1A,1B,1C,1D,1E,2A...). Each respective letter gets a certain primary document (for example the A's get women). For 12-15 minutes the students read and take copious notes on their primary document (handout). After that, all of the like-lettered students (all of the B's for instance) get together for 10 minutes and share what they came up with (the handout included with this lesson helps them focus their reading and discussion).
When I teach the Romantics, I use this wonderful, underrated movie as a bridge between the Enlightenment (Age of Reason) and the Romantic Era. When you see the movie, it almost feels at though that was the director's intention: the Romantic and imaginative Baron versus the forces of reason and reality that battle, and nearly kill him. There are movie questions for three days of viewing in class, as well as an extra credit assignment involving multiple artistic depictions of the same scene from the story of Baron Munchausen, that asks students to comment on those depictions and their relationship to "imagination."
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