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- Should students be routinely quizzed to determine if they have read the assigned text?
- What is (and should be) the role of technology in the classroom?
- Should teachers interject their own political beliefs into the classroom?
- A clash of symbols: does the teaching of ideas such as "symbols," and "theme" help or hurt a student's understanding of the text
- Why I became (or want to become) a teacher
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- Keeping to the Text
When I teach the Romantics, I use this wonderful, underrated movie as a bridge between the Enlightenment (Age of Reason) and the Romantic Era. When you see the movie, it almost feels at though that was the director's intention: the Romantic and imaginative Baron versus the forces of reason and reality that battle, and nearly kill him. There are movie questions for three days of viewing in class, as well as an extra credit assignment involving multiple artistic depictions of the same scene from the story of Baron Munchausen, that asks students to comment on those depictions and their relationship to "imagination."
This handout has the two "Chimney Sweep" poems -- (combined) next to a song by Lou Reed entitled "The Dirty Boulevard." After we read the poems, I play the song (a slightly censored version -- so be aware here) and students are always amazed at how similar they are -- and how little has changed in what they percieve to be so large a gap in time. The sweep and the street hustler in New York, in the end, both just wish to "fly away."
This work which may be done in partners or alone begins by assigning students certain of William Blake's "Proverbs of Hell." This version is actually from a much older text book -- as "The Proverbs of Hell" found in the newer text book was heavily censored. While all students will receive his more well known (and perhaps important) proverbs, the rest of the proverbs are divided among the students. There is a chart for them to fill out to help them understand what is understandable here (and I don't think that all of his proverbs are understandable -- but that's just me).
The first poem is a pastoral poem by Robert Burns -- very useful for comparing to pastorals by Thomas Grey (ideal) and Marlowe (mythically ideal). It also helps place Burns squarely in the Romantic camp (real lives; real words). The second handout contains the lyrics to the Dan Fogelberg song "Another Auld Lang Syne." I find playing this song while the students write on these handouts compelling in exploring the nostalgia in Burn's lines to "Auld Lang Syne." The death of Dan Fogelberg at an early age adds even poor poignancy to the song.
This group work designed to be finished in one class period by a group of 3-4 students, has students do a close reading of Byron while bringing in everything they know about satire, bathos, and the Romantic Era.The work specifically has students reading the poem aloud together -- and this group work can be successful even when the students have not read the work in advance.
I used this handout of Coleridge's poem in a lesson. I begin by not passing out the poem, but instead passing out a blank sheet of paper and turning off the lights and asking the students to close their eyes and put their heads down. Next, I recite (with much flourish, I must say) "Kubla Khan." When I am done, I ask the students to as quickly as they can draw as many images from the poem as they can remember (or one image with detail). I have included a short Power Point presentation to be shown afterwards on the writing of the poem.
A cooperative exercise for 3-4 students, designed to be completed in one class period. This exercise facilitates a close reading of Coleridge's epic poem.It has students examine (or find) specific lines to try and answer some pointed questions about the mariner, the hermit, the wedding guest and the other characters from the poem. It also brings in previous works, such as earlier Romantic poems as well as a play that we've read in class -- The Tempest by Shakespeare. A newer version that references Persuasion can be found attached below.
A group work on Coleridge's Lime Tree Bower poem. It examines the predicament that Coleridge was in while his friends had the chance to go for an extended walk -- it also examines (through, as always -- a close examination of the text) the opportunity that his friends' sojourn gave him. In addition to the analysis of the text, students are asked to relate (if possible) a similar experience that they may have had
While this group work does engage the students in a close analytical reading of Gray's poem, it also asks them to consider some other issues "about" the very nature of the poem. The students are asked to look at the possibility that there is a patronizing attitude or tone in the poem towards the "simple" residents of the churchyard and comparisons are made with other literature whose authors looked at the "happy" lives of the people who lived their lives unnoticed. A new (2011), slightly revised edition may also be found attached below. This poem plays an important part of the students' understanding of the "realistic" versus the "idealized" pastoral when they look at Wordsworth's "Michael."
The poem by John Keats -- just the poem, no pictures, no notes -- with plenty of room for the students to write and take notes. As a lesson, I first divide the students into the number of stanzas in the poem. Then I give them about 10 minutes to plan out how to act out their particular stanza. The only rules are that they must somehow make clearer what the words are saying. They may have one narrator, or they may all take speaking parts -- whatever they think will help explicate the poem. I should say, the story of the poem -- rather than any deeper meaning.
This handout tries to pull together many of the ideas from both Keat's poetry and his life. The poem, specifically, is his "Ode on a Greciean Urn," though this also works with his other poems that we study in class. The song lyrics (I play the songs in class and ask students to mark up both the lyrics and keats poetry as well) are "Time in a Bottle," "Just the Way You Are," and Carley Simon's "Anticipation." There is also an excerpt from The Catcher in the Rye,where Haulden wishes that everything could just stay the way it is (like the diorama at the Natural History Museum), instead of constantly changing.
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