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- Should students be routinely quizzed to determine if they have read the assigned text?
- What is (and should be) the role of technology in the classroom?
- Should teachers interject their own political beliefs into the classroom?
- A clash of symbols: does the teaching of ideas such as "symbols," and "theme" help or hurt a student's understanding of the text
- Why I became (or want to become) a teacher
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- Keeping to the Text
I believe that George Orwell's story/essay "Shooting an Elephant," is one of the most important works written in the 20th Century. It is also a work that helps students understand the subtle and the surprising nature of much of great literature. This group work, designed to be done in 40-50 minutes by 4-5 students, examines that subtle nature while asking students to find specific pieces of text to back up their answers. The last part of the group work also connects it to Shakespeare's The Tempest -- though it would not be necessary to read that work in order to understand that question. We reference this work throughout the rest of the year - and in senior year - with those students who have had me for British Literature, as well.
John Fowles novel is the perfect text to teach to show the differences (and similarities) between the modern and the Victorian Novel. This group work, designed for 3-4 students to be completed in 40-50 minutes, is a kind of "meta-work." The students examine how Fowles uses Paleontology as a metaphor for his attempt to recreate a Victorian novel, only using the sensibilities and "baggage" that come with being a late 20th Century writer. From the way Charles dresses to the way Fowles recreates the fury over Darwin, the group work tries to show students what we've been trying to see all year: that we really haven't changed as much as we might think
This group work covers chapters 15-29 and is, admittedly, pretty ambitious in its scope. It brings in other readings that the students have done over the year, including Pride and Prejudice and Grendel. It also continues the discussion of this book as metaphor by having the students consider Sarah's search for place with the evolution of the tree moth during the industrial revolution. A revised (2011) edition of this handout with references to Austen's Persuasion and to the Romantic Poets can also be found attached below. An even new version (2012) may also be found below that covers more chapters (15-45) and revises a few earlier ones.
As this group work is used at the end of the year, it asks the students to tie a number of ideas from earlier works in with this one. Originally I taught this novel as a required text, however as we have lost nearly 20 days to teaching in the school calendar it always ends up as being extra-credit. However, since it is the end of the year -- nearly half of the class end up reading the novel and doing these group work handouts -- often as solo work rather than working with a group. This group work asks them to find specific links with other texts that we have read.
I must confess that I do not often get to this late of a period of British Literature - there are just too few days in the school year. With that in mind, this Group Work is nearly 10 years old -- but I still believe, relevant and useful in the classroom. Greene's story once moved one of my students to tears -- he wanted to become an art museum curator -- and he just didn't believe how anyone could be as destructive as the children in the story. This cooperative assignment tries to get to the bottom of that through the text -- it also links this work with Blake's Chimney Sweeper poems and some other texts that the students have read throughout the school year.
This is not a lesson - though it would be pretty easy to fill a lesson and a class period with these poems. It is instead some poems by Wilfred Owen, Sigfried Sassoon, Rupert Brook, along with two modern songs ("The Ballad of the Green Berets" by Barry Saddler, and "Everywhere" by Billy Bragg). Though the teacher can create a lesson around these -- I believe that it is also possible to hand these to students and tell them to make of them what they will, especially since these would be given towards the end of the year (we actually don't make it this far chronologically any more).
During Winter Break my students read (well most of them do anyway) T.H. White's "The Once and Future King." They whine, they grumble, and they resent their time being taken up with a forced reading - but when they are done they are usually (to a person) grateful. They often come back, in fact, to tell me it was their favorite book that we read - although it is the book that they read on their own (and maybe that is part of it). This Group (or solo) Work has them tie some of the ideas from that book to Macbeth (though the lesson could be easily altered) - and it has them look at Arthur's quest - and how he does or doesn't achieve it.
An in-depth and critical thinking based partner work consisting of two handouts that asks students to look at some key quotes from T.H. White's The Once and Future King as well as Walt Whitman's "A Child went Forth," Burns's "To a Mouse," The Dark Knight (Batman) and more. It asks students to consider what happened to Arthur in his growing up - how this fits in with what else they have read (or will read) including the quote from The Tempest - "What's Past is Prologue."
This is, without a doubt, the most difficult of all of the concepts that the students will study during this week of Literary Criticism. In addition to their reading on an Deconstructionist's analysis of The Tempest - the students will also look at "Shooting an Elephant" from that same perspective. There are a some things that I have done to try to bring them to an understanding. The first is that I have given them two days to read and digest the ideas for todays collaborative exercise. I will usually go back to a straight examination of The Tempest - in the interim. The other thing that I have done is to try and give them practical explanations of Deconstructionism.
Here is a lesson plan which makes use of technology to help students understand what goes beyond the text and to motivate them to do intensive and extensive reading. [A very good lesson plan for a teacher to follow - this one asks a lot of great questions and has students go far beyond the obvious answers. For example, at one point Virginia states that ;"the essential question of Animal Farm is NOT "Could it happen again?" The essential question is "Do I realize that it IS happening everyday all around me?" And beyond that question is, perhaps the more important question, "What are MY responsibilities to do something about it?" -
James Joyce's "Araby" has long been one of my favorite stories. This year I wanted to do something different. The students read the story the night before and after they took their quiz, I gave them the attached worksheet. Students can work with partners - and they essentially annotate the text (I had given them a printed copy of the story) and write those annotations down to later be published on the Antext (electronic annotated text) of Araby on this website. The two crucial parts of this group work ask the students to find the epiphany and the cllimax of the story. Towards the end of the period I showed them the brief Power Point presentation (also attached) - and there is an amazing chorus of recognition in what most of them already suspected.
This project combines James Jocye's A Portrait of the Artist as a Young Man with the popular social networking site
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