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- Should students be routinely quizzed to determine if they have read the assigned text?
- What is (and should be) the role of technology in the classroom?
- Should teachers interject their own political beliefs into the classroom?
- A clash of symbols: does the teaching of ideas such as "symbols," and "theme" help or hurt a student's understanding of the text
- Why I became (or want to become) a teacher
- Is there a way to decrease the amount of cheating in our classrooms?
- Should teachers friend their current students on Facebook?
- Rudeness in Class
- Should English Teachers spend time talking about what an author meant?
- Keeping to the Text
This handout helps students concentrate on the rich word textures (Stephen Booth moments) found in Cisneros' work. Rather than concentrating on the meaning of the text; the text itself is looked at. For those who do not know what a "Stephen Booth moment" is, you might consider them a word "textures" that give depth to a work without influencing the meaning of what's taking place - it might be helpful to listen to the audio recording of the lesson: "A Day in the Booth" which can be accessed by
From first job to her aunt's advice about writing and all the connections in-between that a close-reading can muster. Specifically, this assignment has students look at aspects of Esperanza's character - what we can tell from the text - her dealing with her papa's reaction to the death of her mother, and the wonder sense of empathy that is seen in Esperanza here and throughout the book. The group work also has students start connecting her longing for her perfect "house" with the other "house" that she is building - her writing.
A short example, appropriate for demonstration (we now have a Flash Video version of this presentation) -- showing students how and what an illuminated text is, using The House on Mango Street. It focuses on what Esperanza sees herself as and what she wants to become. One thing that this presentation also shows, I hope, is that it is not the technology, but the ideas that are the greatest contributor to making an Illuminated Text successful (though I would never be presumptuous enough to say that this one is). It is interesting that the year that I created this - and was so proud of my work - a student created an Illuminated Text on similar lines that blew this one completely away.
This is a synesthesia writing activity that I conduct with students during "The House on Mango Street." We view several clips on synesthesia, discuss synesthesia in the novel, and then complete a writing exercise on synesthesia.
After students have read "Geraldo No Last Name" and the class has done a groups close reading/text analysis exercise over this story, they write an out-of-class essay about a personal experience in their lives. They must imitate the style of Cisneros. I provide handouts with instructions, the grading rubric, and two models (one - happy experience, one - sad).
After reading about half of Sandra Cisneros' The House on Mango Street I take two days to have my students watch the HBO film Real Women Have Curves. This film is great for Mango Street for a couple of reasons:
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