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- Should students be routinely quizzed to determine if they have read the assigned text?
- What is (and should be) the role of technology in the classroom?
- Should teachers interject their own political beliefs into the classroom?
- A clash of symbols: does the teaching of ideas such as "symbols," and "theme" help or hurt a student's understanding of the text
- Why I became (or want to become) a teacher
- Is there a way to decrease the amount of cheating in our classrooms?
- Should teachers friend their current students on Facebook?
- Rudeness in Class
- Should English Teachers spend time talking about what an author meant?
- Keeping to the Text
Lately, I like to begin each novel with a set of associated poems - the day before. For Brigid Pasulka's novel - I chose a selection of Polish poems (and one by Robert Browning - "Love Among the Ruins") that I thought exemplified in different ways - different aspects of her work. There is also an attachment of a bookmark that I give to the students - and the instructions that I put on the projector for how students are to look at the attached poems.
My first group work on Brigid Pasulka's novel - I try to have the students bring together the two separate narratives and to connect them to the life of Baba Yaga. In other words, how the past and the future of Poland are also a force working on her character as well. Specifically, I ask the students to tie one chapter to the next (the past and present stories alternate in the novel) - and then ask them to find specific connections that extend across those pages.
This work is designed to be completed by 3-4 students in a 45-50 minute period, and it covers material from Chapters 20-27 of Brigid Pasulka's novel - A Long, Long Time Ago and Essentially True. Among other things, it tries to get students to connect Irena's concern with a lack of New Poland's "Forwardness" with the actions of the characters in both the World War II story, and the post-Communist story as well. Also, students are
This group work covers chapters 29-34 (and 29-40 in a revised edition), and examines the ideas of drifting, restlessness, and hope that occur in the novel. Students are asked to connect one chapter to the next - and one narrative to the next. I try to have the questions link to each other and to build on each other as much as I have them link the ideas within the text. One question asks students to consider the camera that Baba Yaga has on her shelf - and that reminds her of her own life that she feels has also been put on the shelf.
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